Selected editing projects
(* = credited as proofreader)
2026
Jemima Wyman: Deep Surface (QUT Art Museum), Dearly Departed: Death in Life (State Library of Queensland [SLQ], forthcoming), All the World's Memories (UNSW Galleries, Sydney), Art & Design 50 (UNSW Galleries, forthcoming), The Tyranny of the Object* (Power Publications, Sydney, forthcoming)
2025
21st Century Animation: Innovation, Aesthetics, Approaches (CILECT, Melbourne), 21st Century Sound: Sound in Film (CILECT), close reader: complex notophyll vine forest (Lismore Regional Gallery, NSW), Circle of Her: Tammy Kanat (Bradshaw House, Melbourne), Chutzpah (Jewish Museum of Australia, Melbourne), Emma Fielden: The Sky Swallowed a Stone (UNSW Galleries), Matters of Time (UNSW Galleries), Ephemeral 2025 (Perc Tucker Regional Gallery, Townsville), Sharing Space: Studio 26 Essays, Seasons 1 & 2 (Studio 26, Sunshine Coast)
2024
Anastasia Klose (NorthSite Contemporary Art, Cairns), Taring Padi Reader: Tanah Tumpah Darah (Griffith University Art Museum [GUAM], Brisbane), Mona Ryder (QUT Art Museum, Brisbane), Somewhat Eternal: Justine Youssef (Institute of Modern Art [IMA], UTS Galleries, ACE Galleries), Jeff Gibson (GUAM), Richard Bell Reader: documenta fifteen (GUAM), Yuriyal, Bridgeman: Yubilong (mi)bilongyu (GUAM), The Party (UNSW Galleries), Sam Cranstoun (University of the Sunshine Coast Art Gallery [UniSC AG]), 50 Years: Arts Project Australia (Arts Project Australia, Melbourne), (re)connection: Culture, Country & People (Cairns Regional Council), The Percivals 2024 (Perc Tucker Regional Gallery), 2024 Biennial North Queensland Ceramics Award (Perc Tucker Regional Gallery), The 21st Century Film, TV & Media School: Teaching Documentary for the 21st Century (CILECT)
2023
James Tylor: Turranka… in the Shadows (UNSW Galleries), Chantal Fraser: The Ascended (GUAM), Supercut (OuterSpace, Brisbane), ephemeral: Seaside Sculptures (Perc Tucker Regional Gallery), Len Cook: Fire and Rain (Perc Tucker Regional Gallery), Michael Zavros* (QAGOMA, Brisbane), Merv Muhling: Collected Works 1929–2003 (QUT), Meet the Artists (SLQ), proppaNOW: OCCURRENT AFFAIR (University of Queensland Art Museum [UQAM], Brisbane)
2022
Destiny Disrupted (Granville Centre Art Gallery & GU), Jeff Gibson (GUAM), Gordon Hookey (IMA), Natalya Hughes (IMA), This Language That Is Every Stone (IMA), Let’s Go Outside (MUMA), Air* (QAGOMA), Embodied Knowledge* (QAGOMA), Forever Now: Rockhampton Museum of Art Collection (Rockhampton Museum of Art), Pacific Arts Journal, vol. 22, no. 2 (University of California), Conflict in My Outlook (UQAM), Michael Cook 2010–2020 (UniSC AG), Peter Hudson: The Mystery of Being Here (UniSC AG), Sandra Selig: Exploring Giant Molecules (UniSC AG), Life & Love in Art (William Robsinson Gallery [WRG], Brisbane)
2021
HOTA Collects (HOTA), William Robinson: Lyrical Landscapes (HOTA), Making Art Work (IMA), On Fire: Climate and Crisis (IMA), Lincoln Austin: The Space Between Us (Ipswich Art Gallery), Tree Story (MUMA), Ends of Painting: Art of the 1960s and 1970s* (Power Publications, Sydney), A History of UnAustralian Art* (Power Publications, Sydney), Fiona Foley: Veiled Paradise (QUT)
2020
Judy Watson: bandarra-gan chidna: strong woman track / track of strong women (CREATIVEMOVE and Brisbane City Council), Gordon Bennett: Selected Writings (GUAM and Power Publications, Sydney), long water, fibre stories (IMA), Rite of Passage (QUT), Miffy & Friends (QUT)
2019
The Abyss (GUAM), Bonita Ely: Future Tense (GUAM), Stopping Time (Gympie Regional Art Gallery), Agatha Gothe-Snape: The Outcome Is Certain (Monash University Museum of Art [MUMA], Melbourne), Samson Young: Real Music (MUMA), Anne Wallace: Strange Ways (QUT), Come Close: Leonard Brown, Christian Flynn, Ian Friend, Gordon Shepherdson, Amber Wallis, Judith Wright (UniSC AG)
2018
With Heart & Hand: Art Pottery in Queensland (GUAM), Absolute Humidity (Hardworking Goodlooking), The Artist As… (IMA), Ryan Presley: Prosperity (IMA), Tom Nicholson: Lines towards Another (IMA & MUMA)
2017
Frontier Imaginaries No. 2 (IMA and Van Abbemuseum, Netherlands), Dale Harding: Body of Objects (GUAM), Gordon Hookey: Summoning Time, Painting & Politikill Transition in MURRILAND! (GUAM), Philipp Gehmacher: My Shapes, Your Words, Their Grey (GUAM), Red Green Blue: A History of Australian Video Art (GUAM), Imaginary Accord (IMA), Ross Manning: Dissonant Rhythms (IMA), Ecstasy: Baroque and Beyond (UQAM), Still in My Mind: Gurindji Location, Experience, and Visuality (UQAM), William Robinson: Eternal Present (WRG)
2016
Colour: Mervyn Moriarty (Flying Arts, Brisbane), Simryn Gill: Sweet Chariot (GUAM), Gordon Bennett: Be Polite (IMA and Sternberg Press), Patrick Staff: The Foundation (IMA), Nicholas Mangan: Limits to Growth (IMA and Sternberg Press, Berlin), Gathering Strands (Redland Art Gallery), 40 Years and Counting: UQ Art Museum (UQAM), Denise Green: Beyond and Between (UQAM), Over the Fence: Contemporary Indigenous Photography from the Corrigan Collection (UQAM), We Who Love: The Nolan Slates (UQAM), William Robinson: Genesis (WRG), Studio Research, vol. 5 (Griffith University [GU])
2015
Lugas Syllabus: The Prophet (Cornucopia Press), Body Politic (GU), Frontier Imaginaries No. 1 (IMA and QUT), Dadang Christanto: 1965 (QUT), Quaternary: QUT Triennial Exhibition (QUT), Peter Hennessey: Making It Real (UQAM), William Robinson: Inspirations (WRG), Studio Research, vol. 4 (GU)
2014
Cars = My Automolove (Caboolture Regional Art Gallery), Canberra Contemporary Art Space Centenary (CCAS), Australian PhotoJournalist: Inedible Truth (GU), Craig Walsh: Embedded (IMA & MCA, Sydney), The Critic’s Voice: Wystan Curnow Art Writings 1971–2013 (IMA), Judith Wright: Desire (QUT), Traversing Borders (QUT), Lindy Lee: The Dark of Absolute Freedom (UQAM), Remembering Brian and Marjorie Johnstone’s Galleries (UQAM), William Robinson: Infinite Sphere (WRG), Studio Research, vol. 3 (GU)
2013
Australian PhotoJournalist: Unsustainable Cruelty (GU), Australian and New Zealand Journal of Art, vol. 13 (IMA), Daniel Templeman: Selected Works 2002–13 (IMA), Mikala Dwyer: Drawing Down the Moon (IMA), Peter Robinson: Polymer Monoliths (IMA), Simon Starling: In Speculum (IMA, MUMA, and City Gallery Wellington, New Zealand), Studio Research, vol. 1 (GU)
2012
Philip Brophy: Hyper Material for Our Very Brain (IMA), Sweat: The Subtropical Imaginary (IMA), Luke Roberts: Alphastation/Alphaville (IMA), Peter Kennedy: Light Years 1970–1 (IMA), Australian and New Zealand Journal of Art, vol. 12 (IMA), Beata Batorowicz: Tales within Historical Spaces (QUT), Studio Research, vol. 0 (GU)
2011
Australian and New Zealand Journal of Art vol. 11 (IMA), Grant Stevens: Are You Upset with Me? (IMA), Peter Madden (IMA), Gonkar Gyatso (IMA and GU), How Aborigines Invented the Idea of Contemporary Art (IMA and Power Publications), Leonard Brown: Union with Reality (QUT)
2010
Australian and New Zealand Journal of Art, vol. 10 (IMA), Cao Fei: Utopia (IMA), Mirror Mirror (IMA)
2009
Lincoln Austin: Field of Vision (IMA), Australian and New Zealand Journal of Art, vol. 9 (IMA), The Same River Twice (IMA), Vernon Ah Kee: Born in This Skin (IMA and Venice Biennale)
Selected writing projects
2022
Text for SLQ’s 20 Years Strong (celebrating 20 years of Indigenous Knowledge Centres in Queensland), including exhibition information panels
2021
Text for SLQ’s Viewpoint: Contemporary Aboriginal Photography exhibition (including brief artists’ biographies, introductory panels, and short artwork descriptions), https://www.slq.qld.gov.au/viewpoints
2020
Text for SLQ’s TWENTY: Two Decades of Queensland Photography exhibition (including short descriptions of each of the themes of the exhibition), https://www.slq.qld.gov.au/twenty
2012
Tinker Tailor Soldier Sailor exhibition catalogue, Brisbane: artisan (50,000 words)
2011
“Untitled: 12th Istanbul Biennial” (review), Artlink, vol. 31, no. 4: 80–81.
“Carolyn Lewens, Peter Annand, Peter Charuk, and Vivian McLatchie at Queensland Centre for Photography” (review), Artlink, vol. 31, no. 3: 95.
2010
“Before Time Today: Reinventing Tradition in Aurukun Aboriginal Art” (review), Artlink, vol. 30, no. 4.
Contemporary Queensland Painters: Evolving Traditions (exhibition essay for Redcliffe City Art Gallery exhibition, held 10 December 2010 – 25 January 2011)
